4K Restoration/1955/Pather Panchali: Difference between revisions
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* "“We were able to salvage 50- to 60-percent of the original camera negative for the first two films, although the fire had caused massive shrinkage and stabilization problems,” recalled Head Restoration Artist Phoebe Harmon" | * "“We were able to salvage 50- to 60-percent of the original camera negative for the first two films, although the fire had caused massive shrinkage and stabilization problems,” recalled Head Restoration Artist Phoebe Harmon" | ||
* Davide Pozzi, Director - L’Immagine Ritrovata <ref>http://www.the-reel-thing.co/program-abstracts-2/</ref> | * Davide Pozzi, Director - L’Immagine Ritrovata <ref>http://www.the-reel-thing.co/program-abstracts-2/</ref> | ||
== Other links == | |||
* [https://criterioncollection.tumblr.com/post/91262418181 white gloves handling neg] | |||
== Purchase on Amazon == | == Purchase on Amazon == |
Revision as of 17:06, 2 July 2020
2015 Criterion Restoration
- in partnership with The Academy of Motion Pictures Arts and Sciences
- "produced largely from original camera negative that was recently discovered after being damaged in a fire in London."[1]
- "physical restoration at Cineteca Bologna in Italy"
- "scanned at 4K and digitally restored at the Criterion Collection’s facility in New York, a process that took six months."
- "“We were able to salvage 50- to 60-percent of the original camera negative for the first two films, although the fire had caused massive shrinkage and stabilization problems,” recalled Head Restoration Artist Phoebe Harmon"
- Davide Pozzi, Director - L’Immagine Ritrovata [2]
Other links
Purchase on Amazon
References
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