Editing Filmmaker/James Cameron

Jump to navigation Jump to search

Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.

Latest revision Your text
Line 1: Line 1:
{| class="wikitable"
{| class="wikitable"
|+ Common Motifs in James Cameron’s Films
!  
!  
! Mass Extinction
! Mass Extinction
Line 7: Line 6:
! ''The Terminator'' (1984)
! ''The Terminator'' (1984)
| Skynet's nuclear apocalypse aims to exterminate humanity.
| Skynet's nuclear apocalypse aims to exterminate humanity.
| The cyborg's POV, resembling a video camera feed, represents Skynet’s ability to explore and manipulate events across the barrier of time.
| The cyborg's POV, resembling a video camera feed, represents an extension of Skynet’s perception across time, illustrating the blending of human and machine.
|-
|-
! ''Aliens'' (1986)
! ''Aliens'' (1986)
| The aliens wipe out all but one of the colonists, showcasing a theme of near-total extinction. This is followed by the aliens themselves being mostly wiped out by a nuclear explosion.
| The aliens wipe out all but one of the colonists, showcasing a theme of near-total extinction. This is followed by the aliens themselves being mostly wiped out by a nuclear explosion, except the Queen mother that escapes.
| The use of helmet-mounted cameras by the Marines provides a video feed that extends the ability of the other characters to remotely observe and manipulate events.
| The use of helmet-mounted cameras by the Marines provides a video feed that extends the perception of characters and audience into the colony’s investigation, creating a direct, immersive experience.
|-
|-
! ''The Abyss'' (1989)
! ''The Abyss'' (1989)
| A Navy SEAL attempts to use a nuclear device to wipe out the NTIs, introducing a threat of mass extinction. In turn, the NTIs use their water technology to present the specter of extinction over the human population, showcasing the precarious balance of power and survival.
| A Navy SEAL attempts to use a nuclear device to wipe out the NTIs, introducing a threat of mass extinction. In turn, the NTIs use their water technology to present the specter of extinction over the human population, showcasing the precarious balance of power and survival.
| The deployment of mini-submersibles with camera mounts and arms provides a video feed that allows characters to extend their ability to remotely observe and manipulate deep underwater settings.
| The deployment of mini-submersibles with camera mounts provides a video feed that allows characters (and the audience) to extend their perception into deep underwater crevices, exploring unknown territories.
|-
|-
! ''Terminator 2: Judgment Day'' (1991)
! ''Terminator 2: Judgment Day'' (1991)
| The continued threat of Skynet's nuclear war and the extermination of humanity.
| The continued threat of Skynet's nuclear war and the extermination of humanity.
| The T-800's POV, allows the audience to experience enhanced cyborg perceptions.
| The T-800's POV, shown as a video feed, illustrates the extension of Skynet’s perception across time, merging human and machine capabilities.
|-
|-
! ''True Lies'' (1994)
! ''True Lies'' (1994)
| The use and detonation of nuclear weapons in Key West underscore the ever-present threat of mass extinction through nuclear war.
| The use and detonation of nuclear weapons in Key West underscore the ever-present threat of mass extinction through nuclear war.
| The use of a cigarette case with a hidden camera, providing a remote video feed, allows Harry to observe the terrorists following him and gain a tactical awareness he can manipulate to his advantage.
| The use of a cigarette case with a hidden camera, providing a video feed, allows Harry to extend his perception, offering a different POV on the terrorists.
|-
|-
! ''Titanic'' (1997)
! ''Titanic'' (1997)
| The disaster serves as a microcosm for human tragedy and loss, touching upon themes of existential threat.
| The disaster serves as a microcosm for human tragedy and loss, touching upon themes of existential threat.
| The film extends perception through submersibles with cameras and robot arms, offering the salvage team a means to observe and manipulate the Titanic wreck remotely, and old Rose’s storytelling, which allows the salvage crew to experience Titanic of 84 years ago through her eyes. Young Rose is preoccupied with how artists see the world, and Jack’s artist portfolio sparks her interest in him and his ability to see her through his eyes. And Jack’s drawing of her in 1912 is a way of showing the 1987 salvage team, a remote view of what happened on Titanic.
| The film extends perception through both the abyss-like submersibles with cameras, offering a video feed glimpse into the past, and old Rose’s storytelling, bridging a gap of 84 years to the present-day characters.
|-
|-
! ''Avatar'' (2009)
! ''Avatar'' (2009)
Please note that all contributions to WorldwideBoxOffice may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see WorldwideBoxOffice:Copyrights for details). Do not submit copyrighted work without permission!

To edit this page, please answer the question that appears below (more info):

Cancel Editing help (opens in new window)
Retrieved from "http://worldwideboxoffice.com/wiki/index.php/Filmmaker/James_Cameron"