4K Restoration/1956/The Ten Commandments: Difference between revisions
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== 6K Digital Restoration Services == | == 6K Digital Restoration Services == | ||
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== Film Processing == | == Film Processing == | ||
* Technicolor | * Technicolor | ||
== 2021 UHD Blu-ray release == | |||
* "As part of the restoration done in 2010, the film was scanned in 6K and those files were the basis for this brand-new Dolby Vision version, which shows off the full beauty of the original VistaVision negative. The VistaVision format used special cameras to feed 35mm film into the camera horizontally in order to capture a wider image spread over two 35mm film frames, giving VistaVision twice the resolution of regular 35mm film. In addition, Paramount spent well over 150 hours doing new color work and clean-up on the scan. The move to Dolby Vision created the opportunity to further improve the look of the film: blacks are enhanced and improvements were made to smooth out special effects mattes to create the most vibrant and pristine image possible."<ref>https://www.avsforum.com/threads/the-ten-commandments-is-coming-to-ultra-hd-blu-ray.3180633/</ref> | |||
== Buy on Amazon == | == Buy on Amazon == | ||
* [https://amzn.to/31rhXim Blu-ray] | * [https://amzn.to/31rhXim Blu-ray] | ||
== References == | |||
<references /> | |||
[[Category:Paramount 4K Restorations]] | [[Category:Paramount 4K Restorations]] | ||
[[Category:VistaVision | [[Category:VistaVision 6K Scan]] | ||
Latest revision as of 03:59, 6 September 2021
6K Digital Restoration Services[edit]
- Motion Picture Imaging
Senior Restoration Colorist[edit]
- Jan Yarbrough
Senior Producer[edit]
- Daphne Dentz
Producer[edit]
- Billy Patten
Scan and Record Manager[edit]
- Chris Gillaspie
VP of Engineering[edit]
- Bill Baggelaar
Data, Conform & Graphics[edit]
- Kathleen Largay
Compositor[edit]
- Valerie McMahon
Digital Image Clean Up[edit]
- Prasad Group
Film Processing[edit]
- Technicolor
2021 UHD Blu-ray release[edit]
- "As part of the restoration done in 2010, the film was scanned in 6K and those files were the basis for this brand-new Dolby Vision version, which shows off the full beauty of the original VistaVision negative. The VistaVision format used special cameras to feed 35mm film into the camera horizontally in order to capture a wider image spread over two 35mm film frames, giving VistaVision twice the resolution of regular 35mm film. In addition, Paramount spent well over 150 hours doing new color work and clean-up on the scan. The move to Dolby Vision created the opportunity to further improve the look of the film: blacks are enhanced and improvements were made to smooth out special effects mattes to create the most vibrant and pristine image possible."[1]