4K Restoration/1986/Blue Velvet
Revision as of 02:57, 6 July 2024 by Admin (talk | contribs) (Created page with ""This new digital transfer was created in 16-bit 4K resolution on a Lasergraphics Director film scanner from the 35mm A/B original camera negative. Thousands of instances of dirt, debris, scratches, splices, and warps were manually removed using MTI Film's DRS, while Digital Vision's Phoenix was used for jitter, flicker, small dirt, grain, and noise management. Transfer supervisor: David Lynch, Lee Kline. Film scanning: EFILM, Hollywood. Colorist: Roman Hankewycz/Harbor...")
"This new digital transfer was created in 16-bit 4K resolution on a Lasergraphics Director film scanner from the 35mm A/B original camera negative. Thousands of instances of dirt, debris, scratches, splices, and warps were manually removed using MTI Film's DRS, while Digital Vision's Phoenix was used for jitter, flicker, small dirt, grain, and noise management.
Transfer supervisor: David Lynch, Lee Kline. Film scanning: EFILM, Hollywood. Colorist: Roman Hankewycz/Harbor Picture Company, New York. Additional color: George Koran/Fotokem, Burbank, CA. Negative conform: Alndrew Alvarez." [1]