Filmmaker/James Cameron: Difference between revisions
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! ''The Abyss'' (1989) | ! ''The Abyss'' (1989) | ||
| | | A Navy SEAL, Lieutenant Hiram Coffey, attempts to use a nuclear device to wipe out the NTIs, introducing a threat of mass extinction. In turn, the NTIs use their water technology to present the specter of extinction over the human population, showcasing the precarious balance of power and survival. | ||
| The deployment of mini-submersibles with camera mounts allows characters (and the audience) to extend their perception into deep underwater crevices, exploring unknown territories. | | The deployment of mini-submersibles with camera mounts allows characters (and the audience) to extend their perception into deep underwater crevices, exploring unknown territories. | ||
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Revision as of 13:49, 24 March 2024
Mass Extinction | Extending Perception via Other Means | |
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The Terminator (1984) | Skynet's nuclear apocalypse aims to exterminate humanity. | Through the cyborg's POV, we see an extension of Skynet’s perception across time, breaking the barrier of time to fulfill its mission. |
Aliens (1986) | The aliens wipe out all but one of the colonists, showcasing a theme of near-total extinction. This is followed by the aliens themselves being mostly wiped out by a nuclear explosion, except the Queen mother that escapes. | The use of helmet-mounted cameras by the Marines extends the perception of characters and audience into the colony’s investigation, creating a direct, immersive POV. |
The Abyss (1989) | A Navy SEAL, Lieutenant Hiram Coffey, attempts to use a nuclear device to wipe out the NTIs, introducing a threat of mass extinction. In turn, the NTIs use their water technology to present the specter of extinction over the human population, showcasing the precarious balance of power and survival. | The deployment of mini-submersibles with camera mounts allows characters (and the audience) to extend their perception into deep underwater crevices, exploring unknown territories. |
Terminator 2: Judgment Day (1991) | The continued threat of Skynet's nuclear war and the extermination of humanity. | The advanced POV of both T-1000 and T-800 models further illustrates the extension of Skynet’s perception across time, showcasing a blend of human and machine capabilities. |
True Lies (1994) | The use and detonation of nuclear weapons in Key West underscore the ever-present threat of mass extinction through nuclear war. | Harry’s use of a cigarette case with a hidden camera to observe terrorists underlines the theme of extending perception, allowing a different POV on his targets. |
Titanic (1997) | The disaster serves as a microcosm for human tragedy and loss, touching upon themes of existential threat. | The film extends perception through both the abyss-like submersibles with cameras, offering a glimpse into the past, and old Rose’s storytelling, bridging a gap of 84 years to the present-day characters. |
Avatar (2009) | The threat to the Na'vi and Pandora's ecosystem reflects themes of ecological destruction and potential mass extinction. | The use of Avatar bodies to explore and interact with Pandora extends human perception and experience into that of another species. |