4K Restoration/1955/The Court Jester: Difference between revisions
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{{#ev:soundcloud|https://soundcloud.com/user-368963594/71-preserving-paramount-with-andrea-kalas-kat-ellinger-on-mae-west|dimensions=800x100}} | {{#ev:soundcloud|https://soundcloud.com/user-368963594/71-preserving-paramount-with-andrea-kalas-kat-ellinger-on-mae-west|dimensions=800x100}} | ||
* 6K digital scan | |||
* preserving and mastering | |||
* scan at best resolution and now, colour gamut | |||
* used yellow layer from YCMs to digitally introduce colour lost due to fading | |||
* "full restoration" not just a preservation | |||
* one VistaVision projector on the Paramount lot to watch VV print for reference | |||
* "it is going to look different than a badly lit projector in a theatre from a dupey print when it first came out" | |||
* off-topic | |||
** 2006-2021 CBS did television asset restoration | |||
== References == | == References == | ||
Latest revision as of 17:47, 6 October 2022
2016 Restoration[edit]
- premiered 2017 TCM Film Festival [1]
- 6K digital scan
- preserving and mastering
- scan at best resolution and now, colour gamut
- used yellow layer from YCMs to digitally introduce colour lost due to fading
- "full restoration" not just a preservation
- one VistaVision projector on the Paramount lot to watch VV print for reference
- "it is going to look different than a badly lit projector in a theatre from a dupey print when it first came out"
- off-topic
- 2006-2021 CBS did television asset restoration