4K Restoration/1965/Per qualche dollaro in più: Difference between revisions
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* "The 4K restoration was handled in Italy by L’lmmagine Ritovata and sourced from the Techniscope camera negative (2.35:1 aspect ratio) and the best surviving elements" <ref>https://www.highdefwatch.com/post/sergio-leono-s-hard-hitting-for-a-few-dollars-more-on-4k-uhd</ref> | * "The 4K restoration was handled in Italy by L’lmmagine Ritovata and sourced from the Techniscope camera negative (2.35:1 aspect ratio) and the best surviving elements" <ref>https://www.highdefwatch.com/post/sergio-leono-s-hard-hitting-for-a-few-dollars-more-on-4k-uhd</ref> | ||
* "Over 24 hours of extensive shot-by-shot color grading of the logarithmic restored 4K files provided by L’Immagine Ritrovata" <ref>https://www.kinolorber.com/product/a-fistful-of-dollars-4kuhd-4k-uhd</ref> | |||
== References == | == References == | ||
<references /> | <references /> | ||
[[Category:L’Immagine Ritrovata 4K Restorations]] | |||
Latest revision as of 15:11, 3 October 2022
4K Restoration[edit]
- "The 4K restoration was handled in Italy by L’lmmagine Ritovata and sourced from the Techniscope camera negative (2.35:1 aspect ratio) and the best surviving elements" [1]
- "Over 24 hours of extensive shot-by-shot color grading of the logarithmic restored 4K files provided by L’Immagine Ritrovata" [2]