4K Restoration/1955/Pather Panchali: Difference between revisions
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(Created page with "__NOTOC__ == 2015 Criterion Restoration == * in partnership with The Academy of Motion Pictures Arts and Sciences * "produced largely from original camera negative that was...") |
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* "“We were able to salvage 50- to 60-percent of the original camera negative for the first two films, although the fire had caused massive shrinkage and stabilization problems,” recalled Head Restoration Artist Phoebe Harmon" | * "“We were able to salvage 50- to 60-percent of the original camera negative for the first two films, although the fire had caused massive shrinkage and stabilization problems,” recalled Head Restoration Artist Phoebe Harmon" | ||
* Davide Pozzi, Director - L’Immagine Ritrovata <ref>http://www.the-reel-thing.co/program-abstracts-2/</ref> | * Davide Pozzi, Director - L’Immagine Ritrovata <ref>http://www.the-reel-thing.co/program-abstracts-2/</ref> | ||
== Other links == | |||
* [https://criterioncollection.tumblr.com/post/91262418181 white gloves handling neg] | |||
* [https://scroll.in/article/709091/The-long-road-to-restoration-for-Satyajit-Rays-Apu-trilogy The long road to restoration for Satyajit Ray’s Apu trilogy] | |||
* [https://film.avclub.com/how-film-restorers-brought-the-apu-trilogy-back-to-life-1798279340 How film restorers brought The Apu Trilogy back to life] | |||
== Purchase on Amazon == | == Purchase on Amazon == | ||
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<references /> | <references /> | ||
[[Category:Criterion Restorations]] | |||
[[Category:L’Immagine Ritrovata 4K Restorations]] | |||
Latest revision as of 16:13, 29 January 2022
2015 Criterion Restoration[edit]
- in partnership with The Academy of Motion Pictures Arts and Sciences
- "produced largely from original camera negative that was recently discovered after being damaged in a fire in London."[1]
- "physical restoration at Cineteca Bologna in Italy"
- "scanned at 4K and digitally restored at the Criterion Collection’s facility in New York, a process that took six months."
- "“We were able to salvage 50- to 60-percent of the original camera negative for the first two films, although the fire had caused massive shrinkage and stabilization problems,” recalled Head Restoration Artist Phoebe Harmon"
- Davide Pozzi, Director - L’Immagine Ritrovata [2]
Other links[edit]
- white gloves handling neg
- The long road to restoration for Satyajit Ray’s Apu trilogy
- How film restorers brought The Apu Trilogy back to life