4K Restoration/1979/Star Trek: The Motion Picture: Difference between revisions
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* "Paramount has scanned the original camera negative and master interpositive elements to produce a new 4K Digital Intermediate" | * "Paramount has scanned the original camera negative and master interpositive elements to produce a new 4K Digital Intermediate" | ||
** "there’s a bit of blurring/artifacting apparent in the grain on a few VFX shots that suggests digital grain management" <ref>https://thedigitalbits.com/item/star-trek-original-4-movie-4k-uhd-2021</ref> | ** "there’s a bit of blurring/artifacting apparent in the grain on a few VFX shots that suggests digital grain management" | ||
** "Preston Neal Jones’ excellent book on the making of the film, Return to Tomorrow, VFX producer Richard Yuricich notes, “We have two or three negatives that are much better than what’s in the film, but there was absolutely no time to cut them in.”" <ref>https://thedigitalbits.com/item/star-trek-original-4-movie-4k-uhd-2021</ref> | |||
== References == | == References == | ||
Revision as of 13:41, 6 September 2021
- "Paramount has scanned the original camera negative and master interpositive elements to produce a new 4K Digital Intermediate"
- "there’s a bit of blurring/artifacting apparent in the grain on a few VFX shots that suggests digital grain management"
- "Preston Neal Jones’ excellent book on the making of the film, Return to Tomorrow, VFX producer Richard Yuricich notes, “We have two or three negatives that are much better than what’s in the film, but there was absolutely no time to cut them in.”" [1]