Editing 4K Restoration/1984/The Terminator
Jump to navigation
Jump to search
Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.
The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.
Latest revision | Your text | ||
Line 1: | Line 1: | ||
"Scanning/Restoration work completed by Reliance MediaWorks. The original negative was scanned using an Imagica pin registered scanner to produce 4K 10bit Log DPX files. Reliance performed nearly 800 hours of meticulous work including, image processing, QC and frame by frame touch up of dirt and film damage (scratches etc.). The project consumed over 40 terabytes at its greatest size. They used Lowry Digital’s suite of proprietary restoration tools. Often referred to as the “Lowry Process”. | "Scanning/Restoration work completed by Reliance MediaWorks. The original negative was scanned using an Imagica pin registered scanner to produce 4K 10bit Log DPX files. Reliance performed nearly 800 hours of meticulous work including, image processing, QC and frame by frame touch up of dirt and film damage (scratches etc.). The project consumed over 40 terabytes at its greatest size. They used Lowry Digital’s suite of proprietary restoration tools. Often referred to as the “Lowry Process”. The Restoration Lead was: Alexis Ross-Gallaher. The Restoration Supervisor was: Ryan Gomez The scanning and recording tech for the project is: Paul Howarth. The data manager for the project was: Paul Jackson | ||
Color Correction. The color correction was completed at Technicolor Hollywood with James Cameron’s preferred Colorist, Skip Kimball. Skip used DaVinci Resolve for the color correction. James Cameron supervised the color correction. Technicolor Hollywood Producer – Marisa Clayton | |||
Sound Mix. The Terminator was originally MONO, but in 2000 a new 5.1 Extended Mix was created at Skywalker Sound." <ref>http://www.festivalofarchives.org/2012/10/19/the-terminator-1984-2/</ref> | Sound Mix. The Terminator was originally MONO, but in 2000 a new 5.1 Extended Mix was created at Skywalker Sound." <ref>http://www.festivalofarchives.org/2012/10/19/the-terminator-1984-2/</ref> |