Editing 4K Restoration/1955/To Catch a Thief

Jump to navigation Jump to search

Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.

The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.

Latest revision Your text
Line 1: Line 1:
* "A new VVLA scan was performed."<ref>https://forum.blu-ray.com/showpost.php?p=17634476&postcount=755</ref>
* "A new VVLA scan was performed."<ref>https://forum.blu-ray.com/showpost.php?p=17703631&postcount=1158</ref>
* "Paramount’s SVP of Archives, Andrea Kalas" technical statement <ref>https://thedigitalbits.com/item/to-catch-a-thief-paramount-presents-2020-bd</ref>
<pre>“Paramount undertook a full restoration of To Catch A Thief from a 6K 16-bit scan of the original VistaVision negative, making it the first time the original negative has been directly sourced for a home entertainment release. The 2012 Blu-ray was sourced from an interpositive (IP) that was printed in 2006 from the Vista Vision negative (IN).


The original negative contained some duplicate negative that was added to replace damaged sections in 1999. For this restoration, those duplicate sections were replaced with original YCM material so that we were sourcing the most original elements available.
The blue in the original negative was slightly faded in sections so the 35mm yellow separation master was scanned and recombined with the negative to restore the blue channel. An original IB print was used to verify that the color and optical fades matched the look of the original theatrical release. We find IB prints extremely valuable for restorations because they are known for their more stable, permanent dyes.
For the opening titles, the textless background from the original negative was scanned and the titles were rebuilt and overlaid on the original negative. This allowed us to improve the resolution and quality of the main titles while minimizing issues inherent to the older title creation technology.
This restoration also includes a new 5.1 audio mix that was created after cleaning up the 2007 mix and we also created UHD HDR-10 files for future use.
We made every effort to accurately restore this beautifully produced film by referencing the original print throughout the process. In addition, using the original negative allowed us to minimize the need for digital noise reduction. With these facts in mind, we stand by this restoration. We continually endeavor to restore Paramount’s great films using the best technology available alongside every resource we can find to bring the original vision of the filmmakers to audiences."
</pre>
* https://screenshotcomparison.com/comparison/2359/picture:9


== References ==
== References ==
Line 21: Line 7:
== Purchase on Amazon ==
== Purchase on Amazon ==
* [https://amzn.to/3l5PR3A Blu-ray]
* [https://amzn.to/3l5PR3A Blu-ray]
[[Category:Paramount 4K Restorations]]
[[Category:VistaVision 6K Scan]]
Please note that all contributions to WorldwideBoxOffice may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see WorldwideBoxOffice:Copyrights for details). Do not submit copyrighted work without permission!

To edit this page, please answer the question that appears below (more info):

Cancel Editing help (opens in new window)