4K Restoration/1955/Pather Panchali: Difference between revisions

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(Created page with "__NOTOC__ == 2015 Criterion Restoration == * in partnership with The Academy of Motion Pictures Arts and Sciences * "produced largely from original camera negative that was...")
 
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* "“We were able to salvage 50- to 60-percent of the original camera negative for the first two films, although the fire had caused massive shrinkage and stabilization problems,” recalled Head Restoration Artist Phoebe Harmon"
* "“We were able to salvage 50- to 60-percent of the original camera negative for the first two films, although the fire had caused massive shrinkage and stabilization problems,” recalled Head Restoration Artist Phoebe Harmon"
* Davide Pozzi, Director - L’Immagine Ritrovata <ref>http://www.the-reel-thing.co/program-abstracts-2/</ref>
* Davide Pozzi, Director - L’Immagine Ritrovata <ref>http://www.the-reel-thing.co/program-abstracts-2/</ref>
== Other links ==
* [https://criterioncollection.tumblr.com/post/91262418181 white gloves handling neg]


== Purchase on Amazon ==
== Purchase on Amazon ==

Revision as of 17:06, 2 July 2020

2015 Criterion Restoration

  • in partnership with The Academy of Motion Pictures Arts and Sciences
  • "produced largely from original camera negative that was recently discovered after being damaged in a fire in London."[1]
  • "physical restoration at Cineteca Bologna in Italy"
  • "scanned at 4K and digitally restored at the Criterion Collection’s facility in New York, a process that took six months."
  • "“We were able to salvage 50- to 60-percent of the original camera negative for the first two films, although the fire had caused massive shrinkage and stabilization problems,” recalled Head Restoration Artist Phoebe Harmon"
  • Davide Pozzi, Director - L’Immagine Ritrovata [2]

Other links

Purchase on Amazon

References

More 4K Restorations Pages