Editing 4K Restoration/1977/Close Encounters of the Third Kind
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* colorist Sheri Eisenberg | * colorist Sheri Eisenberg | ||
* Grover Crisp: “We scanned the disparate parts in 4K resolution and put it back together — the original negative and then the deleted scenes for the pieces we found. We had picture source material for the rest; it was kind of a checkerboard.” <ref>https://www.hollywoodreporter.com/movies/movie-news/close-encounters-third-kind-2017-4k-restoration-explained-1033691/</ref> | * Grover Crisp: “We scanned the disparate parts in 4K resolution and put it back together — the original negative and then the deleted scenes for the pieces we found. We had picture source material for the rest; it was kind of a checkerboard.” <ref>https://www.hollywoodreporter.com/movies/movie-news/close-encounters-third-kind-2017-4k-restoration-explained-1033691/</ref> | ||
* "Douglas Trumbull shot all the effects in 65mm but the 70mm release prints did not use the 65mm negative,instead they used an all 35mm final edit to blow up to 70mm. Trumbull said he was disappointed with that decision." <ref>http://www.film-tech.com/ubb/f4/t002296.html</ref> | * "Douglas Trumbull shot all the effects in 65mm but the 70mm release prints did not use the 65mm negative,instead they used an all 35mm final edit to blow up to 70mm. | ||
Trumbull said he was disappointed with that decision." <ref>http://www.film-tech.com/ubb/f4/t002296.html</ref> | |||