4K Restoration/1955/Pather Panchali: Difference between revisions

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Revision as of 19:16, 1 July 2020

2015 Criterion Restoration

  • in partnership with The Academy of Motion Pictures Arts and Sciences
  • "produced largely from original camera negative that was recently discovered after being damaged in a fire in London."[1]
  • "physical restoration at Cineteca Bologna in Italy"
  • "scanned at 4K and digitally restored at the Criterion Collection’s facility in New York, a process that took six months."
  • "“We were able to salvage 50- to 60-percent of the original camera negative for the first two films, although the fire had caused massive shrinkage and stabilization problems,” recalled Head Restoration Artist Phoebe Harmon"
  • Davide Pozzi, Director - L’Immagine Ritrovata [2]

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References

  1. ↑ http://www.mtifilm.com/news/2015/4/2/criterion-collection-employs-mti-films-drs-nova-in-4k-restoration-of-satyajit-rays-apu-trilogy
  2. ↑ http://www.the-reel-thing.co/program-abstracts-2/

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