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Filmmaker/James Cameron
2024-03-24T14:52:14Z
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:52, 24 March 2024</td>
</tr><tr><td colspan="4" class="diff-multi" lang="en">(11 intermediate revisions by the same user not shown)</td></tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{| class="wikitable"</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{| class="wikitable"</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">|+ Common Motifs in James Cameron’s Films</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! Mass Extinction</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! Mass Extinction</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''The Terminator'' (1984)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''The Terminator'' (1984)</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| Skynet's nuclear apocalypse aims to exterminate humanity.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| Skynet's nuclear apocalypse aims to exterminate humanity.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>| The <del style="font-weight: bold; text-decoration: none;">use of technology to extend human capabilities</del>, <del style="font-weight: bold; text-decoration: none;">illustrated by the cyborg Terminator</del>, represents <del style="font-weight: bold; text-decoration: none;">a blend </del>of <del style="font-weight: bold; text-decoration: none;">human and machine perception</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>| The <ins style="font-weight: bold; text-decoration: none;">cyborg's POV</ins>, <ins style="font-weight: bold; text-decoration: none;">resembling a video camera feed</ins>, represents <ins style="font-weight: bold; text-decoration: none;">Skynet’s ability to explore and manipulate events across the barrier </ins>of <ins style="font-weight: bold; text-decoration: none;">time</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''Aliens'' (1986)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''Aliens'' (1986)</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>| The <del style="font-weight: bold; text-decoration: none;">potential for </del>the <del style="font-weight: bold; text-decoration: none;">alien species to overrun and exterminate humanity reflects </del>a theme of <del style="font-weight: bold; text-decoration: none;">mass </del>extinction.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>| The <ins style="font-weight: bold; text-decoration: none;">aliens wipe out all but one of </ins>the <ins style="font-weight: bold; text-decoration: none;">colonists, showcasing </ins>a theme of <ins style="font-weight: bold; text-decoration: none;">near-total </ins>extinction<ins style="font-weight: bold; text-decoration: none;">. This is followed by the aliens themselves being mostly wiped out by a nuclear explosion</ins>.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>| The use of <del style="font-weight: bold; text-decoration: none;">advanced technology and vehicles to combat </del>the <del style="font-weight: bold; text-decoration: none;">alien threat shows an extension </del>of <del style="font-weight: bold; text-decoration: none;">human capabilities beyond natural limits</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>| The use of <ins style="font-weight: bold; text-decoration: none;">helmet-mounted cameras by the Marines provides a video feed that extends </ins>the <ins style="font-weight: bold; text-decoration: none;">ability </ins>of <ins style="font-weight: bold; text-decoration: none;">the other characters to remotely observe and manipulate events</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''The Abyss'' (1989)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''The Abyss'' (1989)</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>| <del style="font-weight: bold; text-decoration: none;">An impending </del>nuclear <del style="font-weight: bold; text-decoration: none;">disaster symbolizes </del>a <del style="font-weight: bold; text-decoration: none;">human-driven </del>mass extinction <del style="font-weight: bold; text-decoration: none;">event</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>| <ins style="font-weight: bold; text-decoration: none;">A Navy SEAL attempts to use a </ins>nuclear <ins style="font-weight: bold; text-decoration: none;">device to wipe out the NTIs, introducing </ins>a <ins style="font-weight: bold; text-decoration: none;">threat of </ins>mass extinction<ins style="font-weight: bold; text-decoration: none;">. In turn, the NTIs use their water technology to present the specter of extinction over the human population, showcasing the precarious balance of power and survival</ins>.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>| The <del style="font-weight: bold; text-decoration: none;">film explores human interaction </del>with <del style="font-weight: bold; text-decoration: none;">unknown deep-sea species </del>and <del style="font-weight: bold; text-decoration: none;">advanced non-human technology, extending perception of life </del>and <del style="font-weight: bold; text-decoration: none;">communication</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>| The <ins style="font-weight: bold; text-decoration: none;">deployment of mini-submersibles </ins>with <ins style="font-weight: bold; text-decoration: none;">camera mounts </ins>and <ins style="font-weight: bold; text-decoration: none;">arms provides a video feed that allows characters to extend their ability to remotely observe </ins>and <ins style="font-weight: bold; text-decoration: none;">manipulate deep underwater settings</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''Terminator 2: Judgment Day'' (1991)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''Terminator 2: Judgment Day'' (1991)</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| The continued threat of Skynet's nuclear war and the extermination of humanity.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| The continued threat of Skynet's nuclear war and the extermination of humanity.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>| The <del style="font-weight: bold; text-decoration: none;">advanced T-1000 and reprogrammed </del>T-800 <del style="font-weight: bold; text-decoration: none;">models illustrate further integration of technology </del>to <del style="font-weight: bold; text-decoration: none;">extend perception and physical capabilities</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>| The T-800<ins style="font-weight: bold; text-decoration: none;">'s POV, allows the audience </ins>to <ins style="font-weight: bold; text-decoration: none;">experience enhanced cyborg perceptions</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''True Lies'' (1994)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''True Lies'' (1994)</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>| </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>| <ins style="font-weight: bold; text-decoration: none;">The use and detonation of nuclear weapons in Key West underscore the ever-present threat of mass extinction through nuclear war.</ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>| The use of <del style="font-weight: bold; text-decoration: none;">high-tech espionage equipment extends the perception of the protagonists</del>, <del style="font-weight: bold; text-decoration: none;">allowing them </del>to <del style="font-weight: bold; text-decoration: none;">uncover </del>and <del style="font-weight: bold; text-decoration: none;">prevent threats</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>| The use of <ins style="font-weight: bold; text-decoration: none;">a cigarette case with a hidden camera, providing a remote video feed</ins>, <ins style="font-weight: bold; text-decoration: none;">allows Harry </ins>to <ins style="font-weight: bold; text-decoration: none;">observe the terrorists following him </ins>and <ins style="font-weight: bold; text-decoration: none;">gain a tactical awareness he can manipulate to his advantage</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''Titanic'' (1997)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''Titanic'' (1997)</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| The disaster serves as a microcosm for human tragedy and loss, touching upon themes of existential threat.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>| The disaster serves as a microcosm for human tragedy and loss, touching upon themes of existential threat.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>| The <del style="font-weight: bold; text-decoration: none;">innovative use </del>of <del style="font-weight: bold; text-decoration: none;">technology </del>in <del style="font-weight: bold; text-decoration: none;">filmmaking extends </del>the <del style="font-weight: bold; text-decoration: none;">audience's perception and understanding </del>of <del style="font-weight: bold; text-decoration: none;">historical events</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>| The <ins style="font-weight: bold; text-decoration: none;">film extends perception through submersibles with cameras and robot arms, offering the salvage team a means to observe and manipulate the Titanic wreck remotely, and old Rose’s storytelling, which allows the salvage crew to experience Titanic </ins>of <ins style="font-weight: bold; text-decoration: none;">84 years ago through her eyes. Young Rose is preoccupied with how artists see the world, and Jack’s artist portfolio sparks her interest in him and his ability to see her through his eyes. And Jack’s drawing of her </ins>in <ins style="font-weight: bold; text-decoration: none;">1912 is a way of showing </ins>the <ins style="font-weight: bold; text-decoration: none;">1987 salvage team, a remote view </ins>of <ins style="font-weight: bold; text-decoration: none;">what happened on Titanic</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>|-</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''Avatar'' (2009)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>! ''Avatar'' (2009)</div></td></tr>
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http://worldwideboxoffice.com/wiki/index.php?title=Filmmaker/James_Cameron&diff=4669&oldid=0
Filmmaker/James Cameron
2024-03-24T13:32:44Z
<p>Created page with "{| class="wikitable" ! ! Mass Extinction ! Extending Perception via Other Means |- ! ''The Terminator'' (1984) | Skynet's nuclear apocalypse aims to exterminate humanity. | The use of technology to extend human capabilities, illustrated by the cyborg Terminator, represents a blend of human and machine perception. |- ! ''Aliens'' (1986) | The potential for the alien species to overrun and exterminate humanity reflects a theme of mass extinction. | The use of advanced tec..."</p>
<p><b>New page</b></p><div>{| class="wikitable"<br />
! <br />
! Mass Extinction<br />
! Extending Perception via Other Means<br />
|-<br />
! ''The Terminator'' (1984)<br />
| Skynet's nuclear apocalypse aims to exterminate humanity.<br />
| The use of technology to extend human capabilities, illustrated by the cyborg Terminator, represents a blend of human and machine perception.<br />
|-<br />
! ''Aliens'' (1986)<br />
| The potential for the alien species to overrun and exterminate humanity reflects a theme of mass extinction.<br />
| The use of advanced technology and vehicles to combat the alien threat shows an extension of human capabilities beyond natural limits.<br />
|-<br />
! ''The Abyss'' (1989)<br />
| An impending nuclear disaster symbolizes a human-driven mass extinction event.<br />
| The film explores human interaction with unknown deep-sea species and advanced non-human technology, extending perception of life and communication.<br />
|-<br />
! ''Terminator 2: Judgment Day'' (1991)<br />
| The continued threat of Skynet's nuclear war and the extermination of humanity.<br />
| The advanced T-1000 and reprogrammed T-800 models illustrate further integration of technology to extend perception and physical capabilities.<br />
|-<br />
! ''True Lies'' (1994)<br />
| <br />
| The use of high-tech espionage equipment extends the perception of the protagonists, allowing them to uncover and prevent threats.<br />
|-<br />
! ''Titanic'' (1997)<br />
| The disaster serves as a microcosm for human tragedy and loss, touching upon themes of existential threat.<br />
| The innovative use of technology in filmmaking extends the audience's perception and understanding of historical events.<br />
|-<br />
! ''Avatar'' (2009)<br />
| The threat to the Na'vi and Pandora's ecosystem reflects themes of ecological destruction and potential mass extinction.<br />
| The use of Avatar bodies to explore and interact with Pandora extends human perception and experience into that of another species.<br />
|}</div>
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